Great Shefford: Drama and Subtlety
22 October 2000

Location

Great Shefford, Hampshire, OS 158.

On my first full day walk for some time, I parked my car near the church in Great Shefford and walked along the river Lambourn to Maidencourt Farm. There I headed north to Oakhedge Copse. Then I walked a bit westwards before following the earthworks south to East Garston and then the Lambourn back to Great Shefford.

 
Weather

 

The day started out grey and drizzly but it turned fine during the afternoon. The first pictures I took were very somber and subtle. But the change in weather made for some dramatic lighting effects that I tried to capture.
 

Click on the images to see larger versions.

 


This is the river Lambourn near Great Shefford. The photo was taken in overcast conditions at the start of the walk. There is a strong sense of autumn in this picture. The same goes for many of the images on this page.

 

The "soft" weather made for subtle, almost monochrome images. If the weather had been clear, the trees on the horison would have blended in with the ones in the hedgerow in front. But on this day the mist exaggerated the air perspective so that we see them as separate.

 

Even more subtle, even austere. A tractor has made this pattern in the stubblefield. Can you hear the crispy sound and feel the resistance as you put your boot down on the stubble?

 
Through the boughs we see the misty countryside. I like the contrast between the almost black foreground and the milky green background.
 
Near the trees above, there is a "trig point". It's a point that the Ordnance Survey uses for mapping. On the map they are marked as a blue triangle with a dot inside. In real life they are usually a concrete pillar with a steel inset, like the one on the left. Usually you find them on high ground.
 
Another monochrome image. The even spacing of the lollipop shaped trees seems to deny the somberness of the rest of the picture. Were they put there by a giant child and forgotten when playtime was over?
 
"There is a budding morrow in the night" wrote Keats. In this case it got this dark and oppressive just before the light started fighting back.
 

Here we are starting to move into the light and the colour. The sunlit spot draws the eye irresistibly, like a single spotlight on a stage.

 
And now the light is really putting up a fight. It is slashing through the clouds in straight lines. The scenery is transformed before our eyes.
 

Another image of contrast and conflict. I like the way the dark foreground and the grey cloud balance each other. At the same time the upper left corner is blasting with white light and the road snakes its way on the ground as if trying to escape. I hear trumpets.

 
At a moment in the fight when neither side is a clear winner a calm, like the calm in the eye of the storm, descends on the stage. Weapons in the air, everyone is poised, in a second the clanging battle will commence again.
   

It is now obvious which side will win, so we can take the time to appreciate the luxurious green velvet and sparkling diamonds in the front row.

 

   
After the fight we celebrate with some colour. These leaves were lying under a maple near the bridge over the Lambourn on Maidencourt Farm
   
From under the branches of that maple, I was looking along the avenue that leads to the road.
   
The final curtain call on our stage and the willow hikes up its voluminous skirt to curtsey before the audience. The sky is now clear and blue but the shadows are getting longer by the minute. Soon the sun will set.
   


 

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Copyright Mjausson 2000